• Anglický jazyk

Benjamin Britten's 'Holy Theatre' from Opera-Oratorio to Theatre-Parable

Autor: Barbara A. Diana

Benjamin Britten's works for the stage developed from the traditional late nineteenth-century romantic opera structure of Peter Grimes to the experimental format of the church parables and of Death in Venice, his last opera. At the core of this development... Viac o knihe

Na objednávku

23.76 €

bežná cena: 26.40 €

O knihe

Benjamin Britten's works for the stage developed from the traditional late nineteenth-century romantic opera structure of Peter Grimes to the experimental format of the church parables and of Death in Venice, his last opera. At the core of this development seems to have been Britten's intention to use the stage as a pulpit to express his philosophical views. This book explores an assessment of how these influenced his creative choices, mainly examining the composer's own writings, from his early involvement with left wing activism during the Thirties through to his more spiritually oriented objectives after the war, and offers alternative readings of two of Britten's most controversial works for the stage, The Rape of Lucretia and Death in Venice.

  • Vydavateľstvo: Travis and Emery Music Bookshop
  • Rok vydania: 2011
  • Formát: Paperback
  • Rozmer: 234 x 156 mm
  • Jazyk: Anglický jazyk
  • ISBN: 9781849551199

Generuje redakčný systém BUXUS CMS spoločnosti ui42.