Brescian painters

Source: Wikipedia. Pages: 25. Chapters: Aimo Maggi, Andrea Toresani, Angelo Everardi, Antonio Cifrondi, Antonio Dusi, Antonio Gandini, Antonio Paglia, Antonio Pasinetti, Bonifacio Bembo, Camillo Rama, Carlo Bacchiocco, Carlo Frigerio, Cristoforo Rosa, Dionisio Boldo, Domenico Bruni, Domenico Carretti, Domenico Vantini, Enrico Albericci, Faustino Bocchi, Faustino Raineri, Filippo Zaniberti, Floriano Ferramola, Francesco Filippini, Francesco Giugno, Francesco Monti (il Brescianino), Francesco Paglia, Francesco Ricchino, Francesco Savani, Gaudenzio Botti, Giacomo Barucco, Giacomo Ceruti, Giacomo Stella, Giorgio Duranti, Giovanni Antonio Capello, Giovanni Antonio da Brescia, Giovanni Antonio Zaddei, Giovanni Battista Cimaroli, Giovanni Giacomo Borni, Giovanni Maria da Brescia, Giovanni Pietro da Cemmo, Giovita Brescianino, Girolamo Romani, Girolamo Savoldo, Giuseppe Bernardino Bison, Giuseppe Pirovani, Giuseppe Tortelli, Giuseppe Zola, Grazio Cossali, Lattanzio Gambara, Lodovico Gallina, Luca Mombello, Luigi Basiletti, Marco Ricchiedeo, Mario Bettinelli, Moretto da Brescia, Ottavio Amigoni, Ottavio Viviani, Paolo Zoppo, Piermaria Bagnadore, Pietro Avogadro, Pietro Marone, Pietro Scalvini, Pompeo Ghitti, Prospero Rabaglio, Sante Cattaneo, Saverio Gandini, Tiburzio Baldini, Tommaso Bona, Tommaso Sandrino, Vincenzo Civerchio, Vincenzo Foppa. Excerpt: Giovanni Battista Cimaroli (1687-1771) was an Italian painter of the late Baroque period. He was born in Salò on Lake Garda, not far from Brescia. He studied under Antonio Aureggio and later in Bologna with the landscape painter Antonio Calza, before moving to Venice around 1713. Cimaroli's rustic landscapes are reminiscent of the Arcadian scenes of Francesco Zuccarelli, influenced by a tradition of Lombardian realism. In c. 1722-6, Cimaroli collaborated with Canaletto (amongst other Venetian painters) on Owen McSwiney's unusual Allegorical Tombs series, whose aim was to memorialize British worthies, the main sponsor being the 2nd Duke of Richmond. Caneletto's vedute became the inspiration for Cimaroli's own topographical views of Venice, which until recently have often been concealed under misattributions to Canaletto. Important early patrons of Cimaroli were Marshal Schulenberg, Count Tessin of Sweden, and the British merchant and diplomat settled in Venice Joseph (Consul) Smith. It was through the disposition of Consul Smith's art collection, hand-picked by Smith for King George III, that six landscapes by Cimaroli entered the Royal Collection, of which three oval views survive. Giovanni Cimaroli, despite the esteem of contemporaries, was nearly forgotten until the mid-twentieth century, but has undergone a revival of critical interest, typified by the publication of the first catalogue raisonné of his paintings. Girolamo Savoldo, also called Girolamo da Brescia (c. 1480-1485 - after 1548) was an Italian High Renaissance painter. Savoldo was born in Brescia, but little is known about his early years. Some sources claim he was known as Girolamo Bresciano. By 1506 he was in Parma, and by 1508, he had joined the Florentine painter's guild. In this period he finished the Rest at the Flight from Egypt (Augsburg), the Elijah Harassed by a Crow (National Gallery of Art, Washington), and a Deposition. In 1515 he painted the Portrait of a Clad Warrior, traditionally iden