Russian sculptors

Source: Wikipedia. Pages: 48. Chapters: Ossip Zadkine, Alexander Liberman, Alex Shagin, Zurab Tsereteli, Naum Gabo, Valentin Galochkin, Baqi Urmançe, Mikhail Mikhaylovich Gerasimov, Mark Antokolski, Fyodor Petrovich Tolstoy, Mihail Chemiakin, Sergey Konenkov, Matthew Chizhov, Paolo Troubetzkoy, Vera Mukhina, Anna Golubkina, Ernst Neizvestny, Boris Korolev, Alexander Bourganov, Anatoli Lvovich Kaplan, Étienne Maurice Falconet, Stepan Erzia, Philip Firsov, Vadim Sidur, Svetlana K-Lie, Viktor Hartmann, Peter Clodt von Jürgensburg, Nikolai Tomsky, Vyacheslav Klykov, Fyodor Kamensky, Ivan Shadr, Alexander Ney, Ivan Martos, Yevgeny Vuchetich, Matvey Manizer, Angelina Beloff, Andrey Nartov, Fedot Shubin, Pinchus Kremegne, Léopold Bernhard Bernstamm, Konstantin Simun, Anatoly Konenko, Mikhail Mikeshin, Nikolai Aldunin, Katarzyna Kobro, Gleb W. Derujinsky, Lev Kerbel, Nikolay Andreyev, Vasily Demut-Malinovsky, Andrey Kovalchuk, Boris Orlovsky, Mikhail Kozlovsky, Yuri Gorbachev, Alexander Matveyev, Lazar Gadayev, Leonid Sherwood, Mikhail Anikushin, Pyotr Tayozhny, Oleg Prokofiev, Alexander Opekushin, Sergei Volnukhin, Sergei Orlov, Robert Eberhard Launitz, Andrey Drevin. Excerpt: Alexander Semeonovitch Liberman (born in Kiev September 4, 1912 - died in Miami November 19, 1999) was a Russian-American magazine editor, publisher, painter, photographer, and sculptor. He held senior artistic positions during his 32 years at Condé Nast Publications. When his father took a post advising the Soviet government, the family moved to Moscow. Life there became difficult, and his father secured permission from Lenin and the Politburo to take the boy to London in 1921. Young Liberman was educated in Russia England and France, and took up life as a White emigre in Paris. He began his publishing career in Paris with the early pictorial magazine Vu, where he worked under Lucien Vogel and with photographers such as Brassai, André Kertész, and Robert Capa. After emigrating to New York in 1941, he began working for Conde Nast Publications, rising to the position of Editorial Director, which he held from 1962-1994. Only in the 1950s did Liberman take up painting and, later, metal sculpture. His highly recognizable sculptures are assembled from industrial objects (segments of steel I-beams, pipes, drums, etc.,) often painted in uniform bright colors. Prominent examples are in the collections of the Metropolitan Museum of Art, Storm King Art Center, Hirshhorn Museum and Sculpture Garden, Laumeier Sculpture Park, Pyramid Hill Sculpture Park, Tate Gallery, and the Guggenheim Museum. He was briefly married (August 25, 1936) Hildegarde Sturm, a model and competitive skier. His second wife (since 1942), Tatiana Yacovleff du Plessix Liberman (1906-1991), had been a childhood playmate and baby sitter. In 1941, they escaped together from occupied France, via Lisbon, to New York. She had operated a hat salon in Paris, then designed hats for Henri Bendel in New York. She continued in millinery at Saks Fifth Avenue until the mid-1950s, where she was billed as "Tatania du Plessix" or "Tatania of Saks". In 1992 he married Melinda Pechangco, a nurse who had cared for Tatiana dur